[gansey doesn't like this. he doesn't like it at all. the corpse is only dead just long enough that it's pale on top and bruised underneath from gravity pooling its blood, the letter opener isn't even remotely sharp, and there's someone else in the room with him that hasn't quite come out enough into the light to be seen. he's not squeamish, but...no, he really is kind of squeamish. but he also really doesn't want to be in this room any longer than necessary. he begins to undo the corpse's shirt, which seems invasive somehow despite the fact that this person is very, very dead, and also that he--or they--need access to its torso to actually accomplish the thing. at least it's a male corpse. this would be exponentially worse if dead breasts were involved.]
Ah, I wouldn't suppose you're any good at this kind of thing.
scenario 3
[he's hungry. really hungry, after the previous few hours. there's clearly food in the shop, and he clearly can't get to it. the glass is so beautiful, though, colors and patterns and technique he's never seen. it seems a shame to ruin a work of art that, judging by the state of the surrounding buildings, is probably rather old.
on the other hand, it's pretty stupid to remain hungry when there's clearly food there for the taking, just beyond some very pretty glass.
he studies the door, trying to figure out if there's possibly a latch or something on the inside of the door, some way to do minimal damage while still getting inside.]
Gansey | The Raven Cycle
[gansey doesn't like this. he doesn't like it at all. the corpse is only dead just long enough that it's pale on top and bruised underneath from gravity pooling its blood, the letter opener isn't even remotely sharp, and there's someone else in the room with him that hasn't quite come out enough into the light to be seen. he's not squeamish, but...no, he really is kind of squeamish. but he also really doesn't want to be in this room any longer than necessary. he begins to undo the corpse's shirt, which seems invasive somehow despite the fact that this person is very, very dead, and also that he--or they--need access to its torso to actually accomplish the thing. at least it's a male corpse. this would be exponentially worse if dead breasts were involved.]
Ah, I wouldn't suppose you're any good at this kind of thing.
scenario 3
[he's hungry. really hungry, after the previous few hours. there's clearly food in the shop, and he clearly can't get to it. the glass is so beautiful, though, colors and patterns and technique he's never seen. it seems a shame to ruin a work of art that, judging by the state of the surrounding buildings, is probably rather old.
on the other hand, it's pretty stupid to remain hungry when there's clearly food there for the taking, just beyond some very pretty glass.
he studies the door, trying to figure out if there's possibly a latch or something on the inside of the door, some way to do minimal damage while still getting inside.]